• Music

SFX: Isobel Campbell & Mark Lanegan

Isobel Campbell / Mark Lanagan

I’m writing.

I’m writing a lot. I’m just not writing here. In two weeks I’ve cranked out 45 pages of the new script. HOLLYWOODLAND suffers as a result. I’ve got some things to post, if for no other reason than to keep the top photo changing. I was getting sick of looking at those wind generators.
Today? I’m giving you a cool track by Isobel Campbell (Belle & Sebastian) and Mark Lanegan (Screaming Trees.) I’ve had this cd for a while, but it isn’t until a couple days ago that this mellifluous little gem jumped out at me.

Isobel Campbell & Mark Lanegan:
Honey Child What Can I Do? (mp-three 224kps)

    Austin Film Fest

    Blades

    As I mention in yesterday’s post, Script Number Two of Six in 2006 is done. I print it up on Sunday, which is a good four weeks later than I’d palnned. But sickness, New Mexico and Coachella all conspire to make me late. And Script Number Three is already twenty pages towards its eventual immortalization as the best “Mississippi Riverboat Vampire Script” ever written, so in a way that only puts me about twenty days behind schedule. The important thing is that it’s done.

    What do I do with it now?

    Warren over at The Screenwriting Life posts about the Austin Film Festival Screenplay Competition. I look at the printer on my desk spitting 107 pages of ELEMENT into a neat pile and I figure, “Why not?” So yesterday I drop a pristine copy of the thing into the mail. By now it’s probably somewhere over Arizona. Fifty dollars down the drain, but hey, it’s not like I have the money anyway.

    Now what else can I do with it?

    Actor friend Brad MacDonald tells me once that if I ever want to put together a reading of anything to let him know. So I get in touch. Tonight at the Cat & Fiddle we’ll hash out a plan to sit down with six or seven actors and give it a solid read-through. It’ll be the first time I’ve ever done this and the idea is a little nerve-wracking. But it’s a solid script, so I suppose I needn’t worry. I just have to take notes and keep quiet.

    More on that as it develops.

    Finally, on a slightly unrelated note, I stumble across this nifty screenplay style guide at the Nicholl fellowship site the other day. It has been around some years, but it’s the first time I’ve seen it. What a clever idea!

    • Music

    The Air Near My Fingers

    Blood & Mist

    In the time I’ve been gone (almost a week now) I’ve gotten mostly better. The steamboats are gone. The noise in my head has calmed down.

    In the time I’ve been gone I completed the first draft of ELEMENT. That’s Number Two in the Six in 2006 plan. And I haven’t slowed yet. I just hit page 20 of Script Number Three.

    And in the time I’ve been gone I’ve developed an obsession over “The Air Near My Fingers” by The White Stripes. I’ll post it tomorrow when I have time.

    Well don’t you remember, you told me in December
    That a boy is not a man until he makes a stand
    Well I’m not a genius but maybe you’ll remember this
    I never said I ever wanted to be a man

    (Do wee…)

    I get nervous when she comes around
    When she comes around

    I especially love the “Do wee…” part.

    UPDATE: As promised, here’s an mp3 of the song, which comes off of their album of a few years back, “Elephant.” Enjoy for a while (I’ll probably take it down in a few weeks.)

    The White Stripes: The Air Near My Fingers (224kps mp3)

      Virus

      I roll up in bed and lean over the side, feet on the floor. There’s a steamboat in my head. That’s right, a rattling, howling dragon of a steamboat. It’s one of those big, side-wheeled monsters that prowled the Mississippi in the 1800’s. The giant paddle-wheels churn muddy, greasy river water. The decks creak, wood and metal bound together by rusting bolts grind with every push upriver. The smokestacks jut upward, towering above the hurricane deck, sporting those lace adornments where metal is made to look delicate but feels sharp and abrasive, especially where they jab into my skull. They belch black smoke into my cranium. The smoke is in my skin, which is sweaty and hot. Dots of pain pollute my attempt to gain some perspective. I hold my temples, but I can’t diminish the heat of the boilers. Sweaty, filth-encrusted men shovel coal into the bellies of these twin giant behemoths. The pressure guages brush the red zone. Heat radiates off them in palpable, feverish waves. Stop it, stop it, stop it. We’re only dreaming. I try to cool them off. I try to ease back on the throttle and reduce the mad, upriver charge that has me hacking and wheezing in the dead of night. I try and distract myself. This is the Mississippi, after all. It’s a beautiful river, expecially now, in 1886. I look to the riverbank. The trees are barren and gray. Gaunt figures stride among the dead groves, gazing at my boat with yellowjack eyes and bared pale teeth. One side to the next and then back, rolling from side to side, just as one shifts while reading a book. A book. It was that book that did this to me. I push myself unsteadily to my feet to find water. My mouth is dry with caked-on river mud. I weave through the darkness into the bathroom. I hesitate to turn on the light, because the way my head feels, I’m certain I’ll see the bulges and the bony ridges and the necrotic stains. But I hit the switch anyway. No, my face is there. Normal as always, perhaps a bit pale and gaunt, but exhibiting none of the outward signs of the river-bound nightmare that’s going on inside my head. I switch off the light and pace the living room, cooling off and breathing deep. I settle on the couch in the semi-darkness, and it’s hours later, when the sounds and images of the River begin to die away, that I’m able to get some sleep.

      Sultana

      This is what a virus-induced fever is for me. I’m on the mend, taking antibiotics, but last night is rough. I happen to be doing research on Mississippi riverboats for a script I’m working on, and the last thing I’m looking at before switching off the light is a splendid picture book of Natchez during the heydey of the Riverboat Era.

      Incidentally, the image above is a rendition of the Sultana. On April 27, 1865, The Sultana, having just picked up an absurd number of passengers (most of them Union soliders heading home after the Civil War) blew up. The boat burned to the water. Some 1500 people died in the disaster. Read more about it here.

        Work Space

        Taking a brief break from work here at Argentum, I lean back in my chair and clos my eyes. When I open them again I’m struck by the amount of jumble on my typical desktop. Click the thumbnail for full-sized mayhem.

        argentum desktop

          The Fast Lane

          Master Cleanse

          I’d been meaning to do this for about a year and a half. Today is Day Eight. Here’s a quick recap:

          DAY ONE

          I stock up on maple syrup, organic lemons and cayenne pepper. This is all I will be consuming for the next fourteen days. I’d been meaning to tackle the Master Cleanse for some time. The idea is simple. Stop eating everything. Obtain all nutrients you need to get through the day by drinking a “tea” made of the ingredients pictured above. Purify and detox as a result. Events and business keep me from getting arond to it. But lately, I’m feeling especially toxic. Los Angeles is a fun playground and everything, but it comes with exhaust, cigarette smoke, chemicals and ennui. And there’s delicious Mexican food everywhere. I have all kinds of buildup to expel.

          So I assemble three 32 oz. Nalgene bottles and fill ’em up (a third cup maple syrup, a third cup lemon juice and a quarter teaspoon cayenne pepper.) Day one goes swimmingly.

          DAY TWO

          I feel somewhat light and floaty. Hunger’s not really an issue. The headache is. My body aches all over the place, including my mouth, where a burr of pain has begun to blossom beneath the filling I got a few weeks ago.

          DAY THREE

          I have strange, painful dreams. I wake up with a serious toothache. Since that rear left quadrant of my mouth has always been problematic, I swing by Rite Aid and pick up a Waterpik. I flush lots of blood and some food (I think it was a medium caesar salad and a package of Oreos) out of the problem gap. The pain increases. By five o’clock that evening I have to call my dentist at the Eastport Dental Centre. They’ll see me tomorrow, they say. And here’s some Vic0din.

          But you’re gonna have to eat something.

          So leave Amoeba and pick up the pills. Then I swing by Whole Foods and pick out the most innocuous soup I can find, along with a little bread. Returning home, I prepare the soup, heat up the bread. I’m only three days into the plan and here I am about to drop some solids and some toxins into my system. This fast is going really well.

          As tasty as the soup and bread is, I can barely eat it around the giant fuzzball of fire in the side of my mouth. I drop the Vic0din, switch on Mystery Science Theater 3000 and settle onto the couch. It takes three pills over the course of the evening to quell the pain.

          DAY FOUR

          I awake without pain. I traipse over to the dentist. He takes an X-Ray and tells me everything looks great. Our guess is that a gap in the recent filling was trapping food that the Waterpik flushed out. The residual pain probably came from my own incessant worrying of the tooth with my tongue. That’s good news. I can continue with my fast.

          That night my neighbors throw an apartment-warming party. The food spread is incredible. There are chips. There is dip. There are egg-rolls and vegetables and Spam. Yes, Spam. But it looks incredible, because I’m really starting to miss food. After a while I excuse myself and head home to distract myself by watching Munich, except that in Munich, Eric Bana plays the leader of a black ops assassin group who happens to know how to cook. All of their important mission planning meetings take place over a very well-photographed meal of divine inspiration. There’s wine and meat and bread and cheese and soup. It’s really tough to watch Munich.

          DAY FIVE

          Another full day. On the radio, Lisa Mullins interviews a woman who obsesses over chocolate. She describes the process of tasting chocolate, where the best chocolate can be found, the best chocolate she’s ever tasted. I’m drooling on the keyboard. Even the word “chocolate” sounds good to me.

          Everyone at work starts bugging me for my extra Vicod!n.

          DAY SIX

          I’m still doing okay. I miss food, but I’m still not especially hungry. But Saturdays are snack days at Amoeba. All the various stations get their snack bowls refilled on Saturdays. So my coworkers nosh on such delicacies as Pop-Tarts, Rice Krispy treats, cookies and candy. I remind myself that this is one of the reasons I’m fasting in the first place. I need to recalibrate my perception of food. There’s too much of it that’s too available to us middle-class working types.

          People think it’s funny that I keep sticking my nose into the Doritos bag and inhaling.

          DAY SEVEN

          Oddly out of sorts today. Sundays are when I like to arrive to work early, wander through the Farmer’s Market with a cup of coffee and pick up a bag of oranges and a couple of blue corn tamales. But not today! No, no.

          Energy levels are low, but it’s only because I’m not drinking enough of the Master Elixir. I didn’t brew enough because I’d run out of lemons. That night I return home and write and then watch Batman Begins. It’s a fine film. Very little eating in it.

          TODAY

          I awake with a bit of congestion in the lungs. I’ve decided to terminate the fast on Day Ten, which is the standard short-end length of the Master Cleanse. By the time I ease back into a regular diet, it’ll be Sunday, which is Day Fourteen anyway. I have plenty of energy. I’m not hungry.

          But I wouldn’t mind a bagel.

          • Hollywoodland

          Muppets on the Mezzanine

          Yep. It’s formal Friday on the Mezz. So I break out my formal wear.

          Muppets on a tie

          • Music

          What The DJ Wants

          Amoeba co-worker, spinner of wax and all-around cool guy, DJ Ned Learner is throwing down the vinyl at Carbon tomorrow night. It’s not just your usual, “Are you coming to my club?” night, either. Tomorrow marks the 52nd near-consecutive week he’s DJ’d the Wednesday night gig. What The DJ Wants. That means no requests. Just pound your drink and dance. Leave the music to the professionals.

          DJ Ned Learner

          • keefe
          • Music

          Michael Keefe’s Music Reviews: March & April

          I’m back from Yosemite. My skin is a little browner, my legs a little sore. I’m posting some pics to Flickr as I write this. In the meantime, perhaps you didn’t notice that at last we are caught up on the music reviews offered monthly by wandering minstrel, tune addict and discerning critic, Michael Keefe. March & April saw the release of a slew of new music, including stuff by Neko Case, Sparks, The Yeah Yeah Yeahs and the inimitable Morrissey. Michael covers it all here and here. Or as usual, click the links on the right.

          More later. Today begins a busy week. I’ll squeeze in posts when I can.

          Mozzy

            Weekend

            As is often the case with me, I decide it’d be nice to go on a vacation, then in order to do so, I have to work extra hours and scramble to get shifts covered and run around like a maniac to make sure everything’s tied down, finished up and otherwise handled, so when the time finally comes I actually NEED a vacation.

            After five days of solid work, I’m off in paradise until Sunday night. Enjoy my absence.

            Vacationing in Yosemite

            • Music

            Tales (Hollywoodland 1974)

            Roger Dean art

            The other day I get my greedy little hands on a copy of the remastered, re-issued edition of Tales From Topographic Oceans by Yes. I’ve never heard it so clear and clean and gorgeous. It’s been lovingly repackaged with some nifty liner notes and a fine wraparound sleeve of Roger Dean’s famous artwork. Rhino, the company behind the reissue, even threw in a couple studio run-throughs of two of the tracks and restored a subtle intro to “The Revealing Science Of God.” Very cool.

            What really gets my attention is a photo included on the inner sleeve. It’s the sort of thing I tend to gloss over with ease, but for some reason, this time, I take a closer look. It’s a photograph of guitarist Steve Howe standing on a street beneath a billboard advertisement for the album. I scan it and take a closer look. Soon, I find myself drawn into the details.

            Here’s the photo:

            Steve Howe

            First of all, it’s easy to guess that the shot was taken in Los Angeles. There are three concert dates on the Billboard, all of them for March and all of them for SoCal locations.

            concert dates

            (Here’s a larger version of the whole image if you want a better look.) The album was released on January 9th, 1974. I’m five years old and living in St. Louis at that time. The billboard indicates that the album is out already (on Atlantic Records & Tapes!) There’s a subtext that suggests the shows haven’t happened yet. So I’m guessing this is a February shot. Way in the background on the right (visible in the larger photograph) is another sign advertising the album Thunderbox by Humble Pie (this was a post Peter Frampton record and apparently not very successful; Stephen Thomas Erlewine stomps on it a little over at allmusic.com.)

            thunderbox

            Then there’s the Horticultural Holiday. What the heck was that? A nursery? A web search is predictably vague. Many people consider an afternoon trimming forsythias a horticultural holiday. Then I find this page. Artist Lord Tim Hudson “creates The Horticultural Holiday on Sunset.. first up market vegetarian restaurant…”

            Horticultural Holiday

            So this is Sunset Boulevard. Proof is further offered by the tattoo parlor. It’s a tough one. Part of the logo is obscured:

            Lyle Tuttle Tattoo parlor on Sunset

            I Google “lyle tattoo” and hit the motherlode. It seems legendary tattoo artist Lyle Tuttle had a shop on Sunset Boulevard. Here’s his website. I love that his logo is still the same, all these years later. According to this page, this shop was purchased in 1975 by Chicago tattoo artist, Dale Grande. It actually says “around 1975” but since this photo was taken early ’74 it’s probably safe to say it was still in the hands of Tuttle himself, although he apparently did most of his work in San Francisco. This page indicates Tuttle sold the joint in 1976:

            Lyle did used to own The Sunset Strip Tattoo studio at the same time he had his main shop in San Francisco, he told me so himself. He also told me he sold The Sunset Strip Tattoo in 1976. He used it for private tattooing, it made famous people feel like they were getting special treatment, which meant he could charge more.

            I even find a mention of Tuttle on the website of Pat Fish, whose name I remember hearing back in my Santa Barbara days. She says:

            Once upon a time when I was just a kid I stumbled into Sunset Strip Tattoo and watched Lyle Tuttle doing a tattoo. He made it seem like the coolest thing I’d ever seen. Right then and there I put it on my list of possible ways I might want to make a living when I grew up. Fast forward many years and now I KNOW it is a great occupation, and Lyle is still the mythic creature, larger than life, whose career bridges the “bucket of blood era” and the modern jet-set world of conventions.

            So where on Sunset was the photo taken? I want to say we’re facing West, as indicated by the topography. But how far west? Is that building still there? Is there any remnant of the parlor itself? Does it still exist? Why am I getting so into this? I don’t know.

            One final trio of links for you:

            The Forum Show

            The Long Beach Arena Show

            The San Diego Sports Arena Show (naked women on stage with Yes??)

            And I actually have that bootleg vinyl of the LB show in my posession.

              Six In 2006 – Part III

              It’s May. That means a lot of things to a lot of people. For my Sister-In-Law, Joy, as well as my friend, Victor, it means Happy Birthday. So happy birthday, y’all.

              For me, it means we’re on to part three of the increasingly famous Six In 2006. Script Number Two is supposed to be done on Sunday, but it doesn’t work out quite that way. I’m on page 82. That’s not bad. I would have been done, but the New Mexico trip, a battle with the Common Cold and that final trip to the desert push things back.

              And I have trouble with water.

              Air Earth Fire Water

              To explain a little, Script II is about the Four Elements. At first, the writing goes well. Air flows by with no problem. Earth moves as it’s supposed to. Fire is cooking right along. But Water just stagnates. The process grinds almost completely to a halt while I tinker with the pipes. Now I’ve re-invented the characters a bit, fixed the focus and made sure the rest of the project embraces the changes. And I’m writing again, but a little behind schedule.

              Script III is a prequel to Blood & Dust. That script is all plotted. The characters are in place. So I won’t be too set back if I delay commencing that one for a week or two. So I’m gonna take some time, finish what I started and then kick B&M into gear.

                Coachella @ Flickr

                Coachella

                Just a quick update: I’ve begun a Coachella set over at Flickr. Click here to check it out. Many more pics (as well as captions and notes and other good things like that) are on the way.

                • Music

                Coachella Stats

                Coachella Sunset

                Time departed: Saturday 10 AM

                Time returned: Monday 2:30 AM

                Hours slept during that time: 5

                No. bands seen: 11 (Lyrics Born, Common, Sigur Ros, Franz Ferdinand, Tosca, Giant Drag, Gabriel & Dresden, Phoenix, Bloc Party, Digable Planets & Massive Attack)

                Calories consumed: about 900 (I didn’t eat much)

                Calories burned: about four billion

                Temperature Saturday: 94 degrees

                Temperture Sunday: I think 682 degrees

                Total Hallucinations: Just one, about a half hour ago I thought a sign read “Ambrose Bierce” when it only said “Avenue B”

                More stats tomorrow. My hallucinations are back.

                • Music

                Weekend of Music

                Coachella in History

                There was this quiet desert town once. It had a Main Street. It was on a major trade route to the west. It was warm and it was peaceful. And above all, it was quiet.

                This is how it’s gonna look today and tomorrow:



                I’ll see you on Monday.