“If you do not understand, or cannot read, all directions, cautions and warnings, do not use this product.”
This is an example of what our litigious society has created. A fishing lure whose packaging reads “harmful if swallowed”??
“If you do not understand, or cannot read, all directions, cautions and warnings, do not use this product.”
This is an example of what our litigious society has created. A fishing lure whose packaging reads “harmful if swallowed”??
As usual, the meeting at Piller|Segan went far better than it played out in my imagination beforehand. The office is over on Santa Monica, just near Orange, which has to be one of the weirdest intersections in Hollywood. I don’t know what it is about it, but if I worked at the Shakey’s pizza there, I’d bring a camera every night. The non-stop parade of weirdness that troops by there every day is mind-boggling. It’s a hang-out for prostitutes, cross-dressers, down-trodden dreamers and homeless streetcorner messiahs. The woman I saw today as I walked to the meeting (it’s just ten minutes from my apartment) was clad in whip-tight spandex, dripping with bangles and caked with makeup. She smoked a cigarette and made “You go girl!” sounds to her companion, who was almost invisible against the first woman’s blinding weirdness. i think she might have said something to me, but I couldn’t hear her. I was listening to John Digweed.
Anyway, the office was one of those little places tucked away from the street, that, while unassuming on the outside, opens up into moneyed glory on the inside. I waited on a plush leather chair in a bricked room with vaulted ceilings, a pool table and a beautiful bar. Anthony Michael Hall stared at me from a massive Dead Zone poster on the wall. Once I absorbed it all, I killed time by leafing through the front section of yesterday’s New York Times.
The meeting itself went very well, as I said. It’s all about simply talking about projects. We spent a little time talking about Blood & Dust, but they’re not really able to do anything with it since they already have a vampire project in the works. So I pitched Strange Angels a little, summing up the plot in a simpler and more effective way than I’ve managed yet. And he was intrigued by the premise of the delicate skin. The writing’s all good. That much we’re cool with. The trick, I think, is to figure out how I can fit into their plans int he future. There’s a lot I can offer them. If Dead Zone gets picked up for a fourth season, they might be able to use me. If any of the other four series they’re setting up see the light of day, they might be able to use my help. And they’re curious to see what else I’ve written. Maybe we can work together in the future.
And that’s all I ask.
In about an hour I have a meeting at Michael Piller’s company. Actually, They’ve teamed up with Lloyd Segan’s company and currently produce, among other things, The Dead Zone on TV. This is another meeting set up by Edgar based on the strength of Blood & Dust. I’m bone tired right now, so I’d probably better have some tea before I go. Since that whole Rocket trauma unfolded I’ve been working there more than ever. That’s the irony. Bonehead really wanted me gone. Now I’m working more than ever. It must be driving him crazy. Since Friday before last I’ve one Wednesday off. Thank God Sara’s coming back.
Yes, I’m back at Rocket. For now. I don’t know how long I’ll stay. I’d been planning to drop a resume off at Amoeba (home of two other Rocket expats) but I’ve been feeling so crappy, the drive to do so has been weak. So for now, I’m working hard (practically every day, in fact) which is exactly the opposite of what Bonehead wanted. That’s actually kind of fun. Instead of out on the street, I’m at the store even more than I was before.
The latest Hollywood encounter was an amusing one. Two women approached the counter and asked my opinion on a pair of movies. I can’t remember what they were, but I think I told them they were fine films. Then one of them held up another one and asked, “What about this one?” The movie was 13 Conversations About One Thing. I said I hadn’t seen it. The other woman chided her. “Don’t do that!” At my bemusement the first one said, “Sorry. That was a trick. We wrote it. She directed it.” I was helping Jill and Karen Sprecher.
I told Karen to hand the movie over. “I’ll watch it tonight. Next time I see you, I’ll give you the review.” Jill was embarrassed. “No, don’t. We didn’t mean that you needed to watch it.” But I insisted. I’d wanted to watch it anyway, though I couldn’t remember why.
So last night I checked it out. It’s really good. It tells the stories of several characters whose lives intertwine in ways they don’t suspect as they explore the question of happiness. Great cast, great performances (Alan Arkin is a standout) and an all-around engaging film. And then as I watched the credits, I remembered why I’d wanted to watch it. My friend Laurie Hansen has an Associate Producer credit.
Small world.
At last, I’m feeling better. It’s been a week and a half of congested lungs, wracking coughs and sleepless nights. Although the weather hasn’t opened up into the brilliant blue skies and balmy breezes I expected, just the mere improvement of health has been enough to lift my spirits. I’m spending the day in full writing mode. I’m taking a brief break from Strange Angels to work on the Blood & Dust sequel and prequel. The meeting with Mosaic made me want to work out a treatment for each of the companion flicks. That means doing some real writing for a while.
Anyway, the meeting on Friday with Mosaic Entertainment Group was terrific. The place is on Sunset Boulevard, right at the western end of the Strip. I pulled my rattletrap Honda Accord into the lot and parked it among the gleaming Mercedes and Lexi (a study in contrast that never fails to amuse me) and headed up to the tenth floor. The gorgeous receptionist asked me if I wanted anything to drink. Scotch, I thought, and answered, “No thanks.” The assistant of the exec I was there to meet walked in and told me it would be a few minutes. She told me that she was a fan. She’d read the script and loved it. Nothing like an assistant who “gets it” I tell you. She made the same offer. A drink? I assured her I was alright, but she insisted so I said “water.” “Room temp or chilled?”
I took a room temp Dasani and then took a seat next to the giant Scooby Doo 2 display. I knew this was just going to be a simple, laid-back meeting, but I couldn’t quell the nervousness. Still thinking about that Scotch, which for me is like the liquid equivalent of a butterfly net, I sipped my water and held onto my knee, which was jack-hammering in anticipation.
About ten minutes later, the exec emerged and we absconded to her office for a chat. She was as friendly and relaxed as I could have hoped. For an hour we chatted. I talked up Blood & Dust and the sequels. We talked about the current sorry state of vampire movies today. And we talked about other projects of mine, including the delicate skin, Fever Blue and Strange Angels. I was happy to learn that we had a friend in common. They recently began working with my friend Kerry, whom I met back when we were developing Fever Blue for Andrew Davis. She was his assistant at the time, and she’s been an aspiring sreenwriter since. That helped. It’s like having a bonus professional reference.
We finished off the hour talking about what it’s like spending thirty days in the wilderness (something I do on occasion) and what it’s like to DJ a wedding. My actor friend Mark tells me that’s a good sign. If you finish the business at hand and the execs continue conversation along other lines, that means they like you. I don’t know if that’s true, but it makes sense. We wrapped up the meeting. Before I left, I gave her a folder I’d prepared with various materials to further illustrate the trilogy. Dunno if it’ll do any good, but we’ll see.
So yeah, nothing concrete, but the important thing is that we connected. Mosaic is a good company, and the more people who get to know me the better, right?
I was in Los Feliz the other day. I wanted to stop by Wacko to replenish my dwindling incense supply, but they were out of it. Not wanting to waste the opportunity, and feeling rather famished, I stopped by Yuca’s for a couple tacos. I gave my name as “Will” and waited and watched a funny bulldog lounging in the shade. When my order was ready I almost missed it because the woman kept calling out, “Wheelie! Wheelie!”
Say I’m talking about my script, the delicate skin, to an executive and he’s read it and he knows it’s about Elizabeth Short (The Black Dahlia) and he leans forward and he says, “Brian DePalma’s at work on the adaptation of James Ellroy’s novel, “The Black Dahlia.” Of course I know this is coming, and although I can explain why my script is still worthwhile (especially over a couple pints at the Coach & Horses) what specifically do I tell him in a hundred words or less?
That’s what Nena and Rich asked me today. Since they’re running into that very same problem as they work toward setting the script up, they asked me if I had any ideas. This is what I came up with:
The DePalma adaptation is going to be a straightforward, approach to a book that only obliquely involves the character of Elizabeth Short. the delicate skin takes a different approach. It attempts to address the murder in a modern setting without simply transplanting the story into the present day. TBD is a period film. TDS is a modern thriller, yet in TDS, we�ve found a way to address directly the character of Beth Short and preserve some of the 40�s mystique of the original murder case. And since the story unfolds today, it�s a perspective on the murder everyone can identify with–young people especially, who might see the Ellroy adaptation as “apart” from them, a historical narrative, far removed from their present day world.
The other major distinction is that TDS has an element of the supernatural that sets it apart from any other approach thus far, yet it sticks to identifiable genre conventions. It’s a modern noir thriller. But it’s also something of a character study and a even ghost story.
And yes, it slices and dices.
Act now.
Anyway, you get the idea. Fingers are crossed. They’re headed for New York tomorrow to present the project to a few people. They’re even assembling a package to present to people and requested my help in creating the image of a WHITE Dahlia on a black background for the cover…

Still feeling terrible. I feel as if I’m not eating well, but that can’t be right. I eat nothing but salads and vitamins and eggs and almonds, which I’m getting quite sick of, frankly. I guess I’m just what’s commonly known as “under the weather.”
Rent’s due tomorrow. I have $32 in my checking account. At some point I might get $750 from Jon. That leaves a gap of about $150. My Rocket check ain’t gonna cut it. Should be interesting. Maybe that’s why I’m sick…
Actually, that’s kinda grandiose. It’s not so much an aftermath as it is a “Day After.” I spent the weekend doing nothing. In the morning, I wrote. in the evening I hung out. On Saturday I stopped by Rocket to drop something off for Sara’s friend Michael. I ended up chatting at length with the team. And Summer dropped by at one point during the proceedings, so I had to give her the whole story again. If it was anyone other than Summer, I would have said, just check the weblog, because frankly, I’m tired of talking about it. But she cares. more than most people. Her suggestion? Come back for the next month, and while you’re working, lay the groundwork for your departure. Makes sense. And in fact, Mark said the same thing.
My own decision? I think I’ll come back, for a little while. As far as anyone knows (exept those closest to me) I’m coming back indefinitely. As I said before, I would like the chance to solidify connections with a number of people I’ve met there. Too many people have turned out to be way too cool during the past year. If I can maintain contact with even a fraction of them it’ll be enough. I need to expand the rolodex, if I can.
Anyway, all that stress and craziness seems to have lodged in my lungs. The past couple days I’ve been feeling pretty sick. It’s not debilitating, but it’s enough to keep me sequestered in my apartment. At about five I ventured out into the unusually warm afternoon and walked to Trader Joe’s. I’ve got half a carton of cottage cheese and half a bag of old lettuce in my refrigerator. And though, like Cassandra, I see financial doom on the horizon, I have to eat, right? And it was strange walking about in the real world, where people are running and chatting and playing tennis like it was just a typical day and of course, it is a typical day for everyone except me. And then I begin wondering if maybe my illness is just a sort of “wallowing” that has taken the form of a large basketball stuffed into my head until a fit of coughing reminds me that there are times when one should just retreat from things for a while and watch old episodes of M*A*S*H.
So I was called into a meeting yesterday. I had been waiting for this to happen. Indeed, it was overdue. I was to sit down with both of the owners and discuss details of recent events.
Since I had hours to kill before the meeting, and an enormous tension skating about under my skin, I walked down Fountain Avenue to Cole where my gym is located. I spent a good hour and half working out every muscle Gold’s Gym has a machine for. Fabio was there, and someone who looked like Fabio. Perhaps it was his brother. Then I walked back home, taking Willoughby to Formosa.
I had just enough time to take a shower, dress up and dig through my boxes in search of my microcassette recorder. I found it at last. There was a tape in the machine. I hadn’t used the thing in ten years, so I guessed it was a recording of me, rambling some lame idea into the mic on the commute from Santa Barbara to Camarillo. When I pressed play, however, something like feedback blasted out of the speaker. I tried rewinding. Same thing. I tried recording. The feedback sounded like a dying cow.
That wouldn’t do. I couldn’t walk into a meeting with a dying cow in my backpack. But I really wanted to play espionage and get a recording if anything weird went down. So I went to Radio Shack, plunked down $40 for a basic cassette recorder and headed to work. I was exceptionally nervous for some reason. I had no idea what was gonna come out of the meeting, and my intention to record it just made it all the worse. I don’t know how those cops do it. I wouldn’t last five seconds in an underover operation.
The meeting was more or less as I expected. We zeroed in on the minor infractions and then touched on the biggie (the possible thefts.) Of course, I maintained my innocence throughout. Back and forth and back and forth until we had no place left to go but home. Before we wrapped things up, however, Bonehead pulled out a sheet for me to sign. It was an agreement to allow investigation of my background by a private investigation firm. I refused to sign, not because I have anything to hide (my credit rating’s not good, I havan’t had a speeding ticket since 1986, I’ve never been fired from anywhere) but because it seemed like he was saying that keeping my job was contingent on digging through my past. He basically stated that he would be convinced of my innocence of the current troubles if I allowed the investigation. That doesn’t make sense. He’s just gonna have to take my word for it.
The meeting wrapped up well, I think. I got to state my case. That’s all I really wanted. Boss and Bonehead said they’d discuss things and I’d get back to them. Even though I told them I would take twenty-four hours to decide on whether I would sign the release or not, I knew I wouldn’t. And interestingly, later on that night, Boss called me to tell me that he didn’t think it was a good idea either.
After the meeting I returned home and spent a couple hours on the phone, mixed a good, dark session on the turntables and made it through my cinematic mood elevator, Valley Girl.
Then this morning, Boss called me to tell me that he talked to Bonehead and he agreed that I could keep the job, same shifts and everything.
Well whaddya know? Do I keep the job? Or do I bail now?
Since I established this paltry website a year ago I’ve had a music section. Long neglected, it merely sported a “coming soon” image. Finally, I’ve finally decided to start using it.
I’ve uploaded my first “mini-mix” to test the waters of streaming audio. It’s just five tracks, which is about the max I want to upload (it weighs in at about 40 megs.) It’s in MP3 format, but I’ve set it up so that any RealAudio player should be able to play the stream.
Check it out here.
Just talked to Jeff. Sara had agreed to cover my shift today. Because I didn’t want her to miss her flamenco class, I told her I’d work the first half of the shift. When I relayed this to Jeff, he said they had a new guy coming in so I didn’t have to work. That means Mark is stuck from six until eight-thirty with a new guy on a busy Thursday.
That doesn’t seem fair. Bonehead wants me only working Tuesdays. Boss, Bonehead’s partner (and a much better person than Bonehead) assures me that I can have my normal schedule. Who’s right? And when am I gonna be let in on any of this?
Just for the record, Kevin Bacon passed on my Black Dahlia-based opus, the delicate skin. I’m very disappointed in him. We won’t be playing Footloose as often at the store, that’s for sure.