Rude Awakening

    Ah yes, it’s Wednesday, which is the day the groundskeepers come to apply a fresh layer of dust to my car.

    • Music

    music and medium

    I’m home. It’s late. Finished my Hell Days, which is what I so cleverly call Mondays and Tuesdays, whereupon I work from ten in the morning until 11:30 at night at two jobs. I’m beat, but before I stretch out and plunge into my latest book (Chris Moore’s “Island Of The Sequined Love Nun”) I want to bring up an interesting thought. It’s a thought I’ve had many times of late, but have been unable to coalesce into something written. Luckily, David Byrne (former front man for the Talking Heads,) has done it for me, and with far more eloquence than I can muster on this particular night.

    He ruminates on the subject of music and the way things seem to have come full circle since the advent of the phonograph and John Phillip Sousa’s gloomy proclamation at the time that it would be the death of music. He muses that music has become separated from the medium that delivers it.

    Here’s what he says:

    Record collectors and consumers often view music as something that is inseparable from the object on which it resides. But if the digital world has taught us anything, it is that the musical information on CDs is anything but inseparable. The two things come apart quite easily, making the value of the delivery object fairly questionable.

    So when music as a product, as a consumable object, is subverted and undermined by technology and by its own success, then maybe we have come full circle. Maybe if music is no longer seen as an object, but as pure information, data, sound waves, then the object becomes at best a mere delivery device, and we�re back to viewing music as an experience, albeit still one that other people produce.

    He goes on to make a slightly larger point than I had wanted to make, predicting that as our concept of music becomes more fluid, we’re more likely to take part in its creation rather than simply absorb it as passive listeners. But it’s that separation of music from its delivery system that interests me. My concept of collecting and enjoying music has undergone a radical shift this year. My CD collection, which for years had been a point of pride for me, is now gone.


    I pulled them from the shelves, crated them, sold them. That’s not to say I gave up on the music. On the contrary, I’ve still got it all. This is what all that music looks like now:

    I just store it differently.

    David Byrne’s post is worth a read. He’s a smart guy. And funny. (He doesn’t provide a permalink to the post, so the link will quickly become out of date. If you’re gonna check it out, do it sooner than later.

    So…uh, yeah. I’m too tired to think of a clever way to end this post except to say, goodnight.

    Incidentally, thanks to boingboing for the link.

    • Hollywoodland

    Lost Cat

    This morning I walk down Martel, across to Fuller, down to Santa Monica to Trader Joe’s on my way to work. On the way, I see this sign. It makes me sad.

    I pause to look at the cat, and linger just a second, remembering a stray I once adopted named Mooch, and I think about how when I recently tell Rosa at work that Mooch was carried off by owls, she bursts out laughing. Not because this amuses her, but because she thinks I’m joking.

    Anyway, just ten feet past the sign I turn and see something that has me reaching for my camera. Click on the picture above to see what I mean (opens a pop-up window.)

    He’s just sitting there on his ass, licking his belly. I have to go back and forth between the cat and the sign a couple times before I conclude that it’s not the same cat.

    It’s unfortunate he’s not the guy, expecially, because THAT really would have been funny.

    And, hey, if anyone does see the real culprit, please give that number a call. There’s no doubt he’s missed.

    • keefe
    • Music

    Music Reviews by Michael Keefe

    Musician, reader, writer and music aficionado Michael Keefe has sent along his May music reviews. Check it out for some excellent advice on what’s new and cool at your friendly neighborhood Amoeba, Rasputin, Rhino, Django’s, CD Baby or what-have-you.

    And if you’ll notice, I’ve installed an extra room on the sidebar dedicated to his reviews, so you can catch up on installments gone by.

    • Hollywoodland
    • Music

    Happy Birthday, Curtis

    Damn. No one told me that it was Curtis Mayfield’s birthday today. If I’d known, I’d have tried to make it to the Curtis bash at Little Temple that LAist mentions here. Oh well. Instead I hang out with Joy and Heather at the Hammer Bash in Westwood, where one of Joy’s Showtime coworkers is spinning vinyl. The company’s great, I don’t mind that there’s no Curtis. We wander around the gallery of sculpture by LA artists, scratch our heads perplexedly more than once, drink gin and tonics and then disperse into the night.

    But the day’s not over. Still time to get a Curtis fix:

    Curtis Mayfield: Freddie’s Dead: RealAudio | mp3

    • space invaders

    Rubikcubism at sixspace

    Hey. My latest post is up at LAist.com. Check it out.

    • Hollywoodland

    found

    From the Found Magazine website:

    • Music

    SFX: Boom Bip

    It’s late. I should be sleeping. But I just picked up a couple discs from work that you should know about. One, I’ll tell you about now. The other tomorrow or the next day. Diverse producer/sound-sculptor Boom Bip released Blue-Eyed in the Red Room back in March. The track here is the final cut from the disc, a collaboration with Nina Nastasia called “The Matter (Of Our Discussion.)”

    Simply gorgeous.

    Real Audio | mp3

      Disney Hall

      Just because.

      • Hollywoodland
      • Music

      Mandala soon

      The audio file has been mixed, compressed and uploaded. I’ll provide a link to it either tonight or tomorrow night. Can you stand the tension? The anticipation? The suspense–?

      Oh.

      You can.

      • Hollywoodland

      A story not about meerkats

      I’m on my dinner break from work. I drive home. I eat something. I want to lie down, but instead, I’ll tell you a slightly amusing story that in no way has anything to do with meerkats. Which is too bad, because I think meerkats are funny.

      Over a year ago I DJ a wedding. I have to rent the speakers for the occasion so I go to the same place I rented equipment for the previous wedding. It’s just a couple blocks from my home. Since the wedding is a three-hour drive south of LA and begins in four hours I don’t have time to double check the equipment.

      I find the place, which is a good forty-five minutes of twisty road off the highway and begin setting up the equipment. I plug in the mixer, I plug in the turntables, connect the wires, connect the left speaker, connect the right sp– Uh-oh. The guy at the shop gave me the wrong adapter. With horror I realize that there’s no way I’m gonna abe able to connect that right speaker. And we’re an hour from the nearest McDonald’s, let alone the nearest Radio Shack. And it’s a dry wedding (actually only half-dry–it’s a story unto itself. I’ll tell it later,) so there’s no way for me to directly administer first aid to myself.

      Then I figure out a way to connect the left speaker to the right speaker directly. That’s a compromise, but it’ll have to do. Both speakers play music, but only the left half of the music, effectively rendering useless any Beatles or jazz I might have brought along. A few audiopiles pick up on that, gleefully, I might add, but for the most part, no one notices.

      Back at the shop the guy is embarrassed beyond words. He says that the next time I rent something he’ll give me a big fat discount. Of course, there is no next time. But a few days ago I drop by to pick up a record bag in preparation for Wednesday evening. We get to talking. he says I look familiar. I tell him I rented some equipment a year ago.

      “How did it work out?” he asks.

      “Well…”

      And he remembers the incident. Again, he’s terribly embarrassed, and he says, “Wait right here.” he hurries to the back of the store and returns with a brand new record bag for me to have. On the house.

      Which is kind of funny, because I just bought one from him 27 seconds earlier.

      But he’s a nice guy, and I always say, you can’t have too many record bags.

      Um…end of story.

      Unless you still want some meerkat action:

      • Music

      Mandala 05.25.05

      When I fist sign up for to participate in Mandala, Amoeba’s in-house DJ series, I plan on spinning a predictable set of traditional tunes that cover my interests. I figure that way, I’ll offend the fewest number of people. But somewhere along the way, I decide, “Fuck it,” and I set out to spin a set of deep, dark progressive house–the kind of stuff that drives Orion, who works in Hip-Hop, crazy. I construct a set that begins in melody descends into darkness and then ascends back into a frenetic hard-driving crescendo. Because who cares whether people like it? It’s what I want to spin.

      So I take the Amoeba stage at 8:30, following Paul Jones, whose last track is Isaac Hayes. I get the setup speech from Daniel about sound levels, using the mixer and not worrying about how crappy the music sounds on the stage. Don’t worry, he says, it sounds much better out there. God, I hope so.

      Since I’m completely unfamiliar with the mixer I’ve decided to make the first few mixes of the evening more traditional cuts that don’t require any technical manipulation (i.e. beatmatching.)

      The Inkspots – If I Didn’t Care

      The Deadbeats – Funky For You

      Four Tet – As Serious As Your Life

      Klimek & Heil – Casino (from the RUN LOLA RUN soundtrack)

      Tyler Bates – Brainscan (from the DAWN OF THE DEAD soundtrack)

      Then as I launch into full vinyl mode I realize that the pitch control on one of the turntables has a sizable dead spot, making fine-tuning impossible. My first mix is something of a train wreck. to me, it sounds as if a drum kit is falling down a flight of stairs. I find out later that no one, of course, thinks this but me. I’m able to adjust, however, by kicking up the beats-per-minute. A faster mix, but at least a cleaner one. Still, though I had worked out the setlist in advance, I mis-timed it. It’s going to go on too long. I realize this about halfway through and at the last moment decide to jettison the Rene Amesz track. Here’s the full list, in case anyone cares:

      Pierre Ravan & Safar – Divine Energy (ambient mix)

      Stel Feat. John Elliot – Finding Time

      Pierre Ravan & Safar – Divine Energy (Laurent Wolf mix)

      Schmu-el – Don’t Hesitate, Acetate

      T-Empo – Fouk

      Dean Coleman & Hernan Cattaneo – Behind The Music

      John Creamer & Stephane K – I Love You

      Rene Amesz – Courischa

      James Holden – A Break In The Clouds

      Kate Bush vs. Infusion – Running Up That Hill

      Timo Maas – Unite

      Alex Dolby – Psiko Garden

      Sander Kleinenberg – My Lexicon

      And there you have it. As soon as I get the audio files sorted out, I’ll be posting the entire mix on this site for anyone who actually wants to listen to it.

      Oh, and of all the people I invite to drop by, only one shows up, arriving half an hour early and then leaving before I even come on.

      Heh.

      • Music

      Amoeba Set

      I’ll post in detail about the whole thing later today. Despite a few difficulties (a pitch control with a mind of its own) the set went very well.

      • Hollywoodland

      Licorice Pizza

      Licorice Pizza was the name of a record store that used to exist in Albuquerque. I doubt it exists any more. (You know, Black like licorice? Round like pizza? LP?)

      Anyway, I’m spinning the licorice pizza on Wednesday at Amoeba starting at 8:30PM, if anyone’s curious. I’d love it if just one friend shows up, so I can take a picture from the stage and post it here with the caption “DJ Humble wows the crowd at Amoeba.”

      • Music

      Alexander Redux

      Remember this post? Back in January a copy of the Academy promo-issue score for Alexander comes in over the Buy Counter at work. I blog about it. Defamer picks up on the post. It sells the next day.

      Dedicated Vangelis collector extraordinaire, “Uncle Don,” gets wind of the score and asks me to alert him if another came in. It does. I get in touch.

      True blue collector that he is, he immediately makes arrangements to buy it. He sends me the cash. I pick it up for him this evening. I hand over the counter to Ben to make the purchase. The expression on Ben’s face as his eyes alight on the price tag is…well, priceless. Especially because when he takes it from he he’s telling a story.

      The story dies in mid-sentence.