Henry is Sean’s cat. Henry is playful. He attacks anything that moves. Also, he attacks anything that doesn’t move. So whether it moves or it doesn’t move, it’s toast.

Henry is Sean’s cat. Henry is playful. He attacks anything that moves. Also, he attacks anything that doesn’t move. So whether it moves or it doesn’t move, it’s toast.

I park my car on the top level of the CNN parking lot when I go to work even though there are scores of lower spaces. The only reason I do this is because when I return to it later, I do so beneath the night sky.

It seems to me that all of the recent puritanism over the media and family values is destined for failure. The wardrobe malfunction, the recent web-censorship decrees, the complaints about violence in video games–they remind me of the days of the PMRC and its stance against the overt sexuality of “modern music” back in the Eighties.
Working at Argentum this morning, clutching a coffee (and I don’t even drink coffee anymore; that’s how tired I am,) tapping out code on a recalcitrant Mac, listening to music on the ear buds, I stumble across a track by Mylo that brings it all back to me. The title track from the new Mylo disc is called “Destroy Rock & Roll.” Check it out to see what I mean.
Mylo – Destroy Rock & Roll (Radio Edit): mp3 | RealAudio Stream
Could the PMRC have imagined that in just a decade or so they might have to contend with music a little more intense than Stevie Nicks? Seems silly in retrospect.

I’m at the far end of a weekend that felt like seven days folded into three. I’m sitting, exhausted and bleary-eyed at my computer wondering how to sum it up. But once again, I think I’ll have to resort to an artist’s rendering, this one meticulously sketched on a small napkin.

Perhaps later, once I come down to earth a little bit, I’ll tell a few stories.
NOTE: I notice that, in this picture, Lauren does not have any arms. Keep in mind that it’s a drawing, folks. And there was a fat margarita in front of me when it was made.
Yesterday at work I meet a fetching woman with a voice like a wisp of silk who reminds me of a far more attractive Joey Lauren Adams. I try to help her think of some cool, guitar-based music for her to use as temp tracks in a film, although it’s more that I talk to her about thinking of some cool guitar-based music without actually doing so. My immediate suggestion is Sam Bush, who plays mandolin. But the only reason I suggest it is because I’m thnking about how a couple days ago Joy leaves me a voice mail from her car and holds the phone to her stereo so I can hear the mandolin music she’s hearing (“Will, I’m listing to Home Country Prairie or whatever and this music is really cool but I don’t know who it is!” – I later help her figure out that she was listening to Prairie Home Companion and that the mandolinist in question is Sam Bush.) But all of this is really no help to the woman, who’s looking for guitar music. I think she appreciates the effort with which I attempt to help her but eventually heads for less confusing pastures.
Back at the info counter I say, “I think I just helped an actress, but I don’t know if I’m right.” Today I learn that she was Joey Lauren Adams.
Of course.
Sometimes I’m good at spotting celebrities (“Hey, it’s Keith!”) But sometimes I’m terrible. Here are some other customers I’ve helped without recognizing:
Jason Schwartzman – He asks for a movie. He’s very polite. But we don’t have it. He leaves. Eric tells me that I just helped Jason Schwartzman, which I think is cool, but Deep has a funnier story about him which I’ll tell another time.
Cheri Oteri – One of my fave SNL alums. I’m poking around the comedy landscape on the mezz. She’s looking for a comedy box set to give as a gift for some guy. I suggest the Jane Austen Box. She laughs. That’s the thing about comedy people; they appreciate humor, even when it’s as lame as mine. So then I say, “Pink Panther,” and she says, “That’s it.”
Tracey Morgan – Another SNL alum, but one I admittedly knew nothing about at the time. I still don’t. He walks up to the counter and ask if we have the “Best of Tracy Morgan” on DVD. Even if I’d kinda recognized him this would have thrown me off. Why is he looking for his own disc? Anyway, we don’t have it because it hasn’t come out yet (this is months ago.) But he says he really wants the disc. I say, “Why, is he funny?” This is the point at which he gets pissy. And I take back what I just said about comedy people. They don’t always find things funny.
These are just the ones I know about.
Because I didn’t have a camera to record my encounter with Joey Lauren Adams, I’ve commissioned an artist to draw up a re-enactment. Here it is:

Tracy Morgan still comes in all the time. Yesterday he asks for the “Secret Rats of NIMH.”

Storyteller, raconteur, troubadour and man of well-chosen letters Michael Keefe has turned in his reviews of recent music once again. The June selection can be found here, or as usual, by selectng the most recent link to the right.
Enjoy!

Finally, I’ve posted something new at LAist.com. I’ve been so swamped lately that I haven’t been able to scrape even a few words into a decent pile. This time I’m looking forward to Maria Taylor’s appearance at Troubadour.
It’s hard to believe, but it’s been a year since this post. That means another night at Benihana, another stack of presents, and that Sara’s another year older.
Mark was with us last time. He’s not there this time, but he’s missed. Luckily, there’s some consolation in that his episode of Cold Case runs again tonight. I hope you all caught it.
Oh, and I guess it also means that I’m two days shy of my one year anniversary at Amoeba Music. I’d been telling everyone that today was my anniversary, but I’d forgotten that we celebrated Sara’s birthday two days after her real one last year. So in forty-eight hours we break out the party hats.
It’s late and I just spent an hour or so putting together a long overdue post for LAist. So I’ll just leave you with a couple of sweet pics.
–>
From left to right: Tracy, Jennifer (remember her?) and Sara.

Sara’s cake. And yes, that’s the this album cover on the frosting.

Sara and Noah. Noah surprises me tonight by saying he’s a frequent visitor to this blog and that he really enjoys it. I had no idea. So this one’s for you, buddy:


This morning I wake up way before my alarm tells me to. I’m not certain why; when I look at the clock it tells me I’ve had just over five hours sleep. But sleep won’t return, so I decide to use the extra time to list my copy of Monte Hellman’s Two-Lane Blacktop for sale on eBay.
I take some photos, log in the details, write some clever code and then when it comes time to set the price I find myself blinking and rubbing my eyes. If eBay knows what it is you’re selling (i.e. the item is a commercial product listed in their database) they’ll tell you what the average selling price for that item is. Most of the time, they’re pretty close. Now, I know that this edition of the film is rare and sought-after, but this just can’t be right:

My coworker, Deep, walks up to me in the music DVD section, which I manage. I’m very comfortable there. Deep manages the Cult section, two rows away.
“How is it that we always see you helping gorgeous women in your section? How do you do that?”
I reply, “It’s simple. When I see an attractive customer flipping through the Bob Dylan discs, I take up a position nearby and organize the Duran Duran DVDs like I work here. It’s inevitable that once she suspects I might know how to find something she’ll sidle over and ask.”
Deep looks at me. “If I tried that,” he says, “If I came over here and shuffled DVDs around, someone over in Cult would hear me and walk around the end of the row and come all the way over here and say, ‘Do you have Female Trouble?’ and I’d be like, ‘Augh! Why, are you in it?’ and she’d probably throw me over her shoulder and say, ‘Let’s go look for it.’ and I’d be like, ‘Alright, alright, I guess I’ll help you find it.’ That’s what would happen to me.”
I mean to tell him that the real reason is because I help the strange ones, too. I help the odd ones, the neurotic ones, the purple ones, the blinking ones, the unintelligible ones, the smelly ones, the lonely ones…and especially the shy ones. It all balances out. I mean to tell him that it’s a sort of customer service karma.
But I don’t tell him. I’m laughing too hard.


Back in the infancy of this site (before the long hiatus) I once blogged about wanting a cell phone/cordless phone that looks like an old-fashioned rotary phone. Finally, two and a half years later, someone’s created one. Anyone got $400 they can spot me?
Oh, Lordy, has it already been a week? A quick check of my calendar reveals…hey, where the hell’s my calendar?
Well, almost a week, anyway. I owe this blog a handful of oddball posts. In fct, I owe a lot to a lot of people. LAist was gonna get two additional posts this week, but I got so caught up in things that those posts founder in the heavy seas of my mind. Until I get those moving, here’s some oddball stuff for your enjoyment:
I think this image says something about crowds.

This is actually a detail of a much larger picture of a doorway in one of Amoeba’s hidden back rooms.
Sean’s new cat kitten, Henry, as modeled by Amy:

This is Henry a little bit later, taking a ten-minute power nap. Moments after I take this shot Henry is running around again as if sleep were just a momentary annoyance.

This is a contemporary photo of a Santa Barbara flat in which I once lived. 902 Bath Street. Summer of ’93. My door is on the left. The studio consists of a living room/bedroom, a small kitchen in the back and a bathroom that, were it not for the lack of a defeaning roar, feels like one of those coach bathrooms on a Southwest flight to Flagstaff.

The fact that Lauren passes along an article about blueberries and then a moment later I’m taking pictures of them proves one thing – I’m not very good at photographing food.

I spend yesterday and today largely alone. I’ve a million teeny things to do. Dumb stuff, like swing by the Thai place where Jackie bought me dinner the day before to pick up the sunglasses I left there. Like dropping by the Quixote Studio Store to get brads do I can properly bind a script to leave for Brad at Amoeba (yes, the word “brad” figures into that sentence twice.) Like pick up a couple boxes so I can ship my Curve discs and my Thomas Newman discs off to Hungary and Japan respectively.
Today, at last, I have time to write:

Now that I’ve finished the “treatment” for the AirEarthFireWater project, I’m returning to Strange Angels for a while (click the link to see a goofy Flash animation I created months ago.) I write on the laptop tonight, feet kicked up on the coffee table, cell phone nearby in case I need to procrastinate. And deep inside I cradle a nasty coffee craving, but I refuse to honor it. In spite of the gnawing, I get good work done. But since it’s been a while, I have to consult my flow chart:

This is why I do much of my script planning in a sketchbook rather than a notebook.

Hey, my latest post is up at LAist (wherein I gush about Devin Davis rather a lot.) Check it out.
ooo, Didja feel the earthquake? I was reaching for a shirt when I noticed they were all swaying back and forth. Very cool.

First of all, I had no idea other people lived around me. I thought those other fifteen doors were storage units.
Second, this is a bit of an exaggeration. I only play music, like SIX nights a week, and only until about four thirty or so. Not ALL night. Don’t they even have clocks?
Third, how could it be nonstop? There’s silence in between the songs.
Fourth, I don’t even HAVE a bass. I used to have a BC Rich Warlock a long time ago, but I sold it because I needed to pay rent and besides, Kiss already had a bassist.
Fifth, HELLO!
And finally, it’s just too bad they had to write a note in the first place. I moved into this place a year and a half ago and this is the first anyone’s said anything to me about music. In fact, when I moved in I talked to several of my neighbors and told them that if it EVER bothered them that they shouldn’t hesitate to say something. No one’s said a word. Not that I expect them to, I suppose. It’s human nature for us to say, “It doesn’t bother me at all,” and then gnash and fume about it in the darkness of our bedrooms later.
I guess my thing is that if it’s gotten to the point where they feel they have to say something, then they should just knock on my door and say it. What do they think I’m going to do, start frothing at the mouth and call down the screaming hordes of Satan upon their heads?
Fine, fine. Chill out, all. I’ve obviously discovered your boundaries. I’ll pull my troops back. Tell ’em to stand down. And give them all headphones.
. . .
Anyone got a house in the hills they want to rent me?