• Music

Jarhead

Thomas Newman: Welcome To The Suck (224kps mp3)

Thomas Newman: Raining Oil

Previous Newman obsessions:

Angels In America

Men Don’t Leave

Speaking of used cd’s, I notice the Buzz section of the most current issue of Los Angeles Magazine contains a mini-grunt about the jobs in LA with the best perks Amoeba is right up there on top. Why? Because we’re allowed to use the used cd selection as a lending library. Makes it east to explore current music.

I wanted to scan the article but I’ve already recycled the issue. So I wanted to link to it, but man, whay does their site suck so much?

  • Music

SFX: Sia Furler

We all have those bands or artists or singers we love to think of as our own. We discover them early, suffer the blank looks and empty stares when we try to explain who it is we’re listening to and wish others would just wise up and figure it out. And then if the artist finally strikes it big we have ourselves a petulant sulk in the corner, lower lip outthrust and grump about how “I was here first.”

A couple years ago, a handful of us pick up Colour The Small One on import vinyl after hearing Anne Litt spin “Sunday” on KCRW. The album is like textured honey, if that makes any sense. It’s just got a nifty sound: the rasp of her voice, couched in swelling strings, enveloped in melody. You get the idea. We play it. We love it. We try to get other people to listen. (In some cases, they hear; I spin a “Sunday” at a wedding back in March of ’04 and the photgrapher’s assistant comes running up to me, “What IS this??”)

Yesterday Sia plays sets at both KCRW and Amoeba Music and I learn, at last, what’s taken her album so long to arrive in the States. Apparently, after her UK label balked on releasing the album overseas she worked on a new album–a pop album. The label not only refused to release it, they dropped her. So much for the career. And then the canny music supervisors over in the Six Feet Under camp saw fit to spin “Breathe Me” during the final episode of the series. Next thing she realizes, labels come calling, including her old one who says, “Sorry about that whole ‘dropping-you-on-you-ass’ thing. Wanna have tea?” That song, she says, brought her back from the dead.

It’s a good song. But “Sunday” is my favorite. Here ya go.

Sia Furler: Sunday (224 kps mp3)

And we’re not gonna go sulk in the corner. This is what we wanted all along.

[Incidentally, if you missed that link to her in-studio performance at KCRW, here it is again. While she’s quiet and introspective on the album, in person she’s adorably goofy. The question she asks Nick Harcourt at the halfway point has got to be heard to be believed.]

    Thursday Night

    Jules is my friend.

    • Music

    DJ-Fetish

    The Lady Mo over at she b mo posts eloquently about the ups and downs of being a DJ:

    Another really annoying thing, both on radio and in venues, is when people request something totally out of whack with what you are currently playing. On the radio, I could be doing a country set and get a call for hip hop. At a dance club, someone will want the Buzzcocks. (If I never hear the Buzzcocks again, it’ll be too soon… one bar I worked at practically demanded that band hourly). I will usually try to get to a request, in a smooth fashion if it is possible, but that is often not good enough.

    Reminds me of a thing. One night I’m spinning at a party. I open with an hour or so of recognizable dancey stuff. People love it. The evening deepens and alcohol minimizes the need for familiarity and now I’m settling into a Deep House groove, a place I love to be. I’m right in the middle of a transition when a girl comes up to me and grabs me and shouts something through the headphones at me. I complete the transition and push the phones down around my neck.

    “Say that again?”

    She says, “Can you please, please please play ‘I Will Always Love You’ by Whitney Houston??”

    Mother Pus Bucket.

    “I don’t have it,” I say. And that’s the truth. I didn’t think it was going to be that kind of evening.

    She jumps. “I do!”

    Oh, crap. She’s one of the organizers. This is her house. And I just responded as if there would be nothing more perfect for the moment than Whitney Houston but that tragically, I had forgotten to bring her. And now… aw, hell. The girl’s off hurrying to find her cd’s.

    Reluctantly, I start planning the musical route. I can’t just make the jump, you see. It would shock people out of their conversations and have them wondering what part of the movie they just missed. A DJ set can be something like the game of Six Degrees Of Kevin Bacon. How do I get from Trainspotting to The Bodyguard in as few steps as possible? So I begin the slow transition from Deep House to Schmaltz Pop and imagine a day when I rule supreme, when I stand behind the decks and say, “No! You may not hear Pantera, you fool! I run these shiny machines! You will listen to The Kingston Trio and you will love it! Now dance!”

    “Ha ha ha ha ha!!”

    • Music

    Music In The Air

    2005 - The Year In Music

    (I’ve moved this post to a new page. I took some time to re-work the description of the collection and shoved into its own page. Click here to check it out.)

      There Goes Another One

      Man, now Mr. Schiavelli’s gone. I loved this guy. What a cool actor. And though I’d never dined with him, I always heard he was quite the chef.

      • Hollywoodland
      • space invaders

      Christmas At The Hollywood Sign

      My mission: climb to the Hollywood Sign. Objective: determine whether the Space Invader art installed by the artist Invader is still in place, or whether it’s been stolen just like all the rest of it. It’s Christmas morning. I drag myself out of bed at eight, suit up and then drive up through the morning mist through homes much pricier than mine to a spot alongside the road.

      I’d researched the route pretty well using Google Earth, so I had a pretty good idea where to go. In fact, my route-finding was so good that I seem to have bypassed all of the NO TRESSPASSING signs everyone else seems to come across when they attempt the same thing. As far as I’m concerned, it’s a public trail that winds up to the towering letters. But I know the trail is closely watched. From reading other accounts, a hike up to the sign usually ends in a police helicopter pursuit followed by a meet-n-greet back at the trailhead with the local constabulary.

      I scramble up the steep slope anyway. Though the rest of Hollywood is cloaked in Christmas morning fog, the sign itself rests in full sunlight. Within twenty minutes I’m standing at its base.

      I’m not doing this for the simple pleasure of touching the sign, although there’s certainly an aura about the thing that’s undeniable. Oh hell yeah, I’m gonna touch the damned sign. But I’m also a fan of Invader’s street art. Sara and I discovered it a couple years ago. Invader has, over the years, managed to tag more than a hundred spots around the city of Los Angeles with his benign, attractive invaders. And over three successive attempts spread over a couple years, he managed to get each of the letters of the Hollywood sign as well. But lately someone’s been stealing his stuff. Invaders have been disappearing en masse from the public spaces around town. He says himself that he’s “lost Los Angeles.”

      Maybe, I think, but the true test is to check out the sign itself. If those guys are still there, then perhaps hope remains. Maybe Hollywood hasn’t fallen.

      So now I’m looking around. There, over on the “Y,” I spot the cluster of security devices. There’s a motion detector. Cameras. Loudspeakers. Floodlights. I wonder if they’re even on. The reason I’m up here on Christmas Day is because I figure the city-employed security team is safely tucked away at home, watching Charlie & The Chocolate Factory or trashing their new X-Box 360’s. I move closer. The motion detector beeps at me suddenly. I freeze for a moment. But what am I going to do? Turn and run pell-mell back down the slope? Of course not. I’m here now. Might as well do what I came to do.

      With the motion sensors chirping at my every move, I methodically check every letter of the sign. Last month the sign underwent a face-lift. The letters are brilliant white now, and the support struts are gleaming and gray. It occurs to me that it’s very possible the renovators might have seen the small invader mosaics as vandalism and removed it themselves. Or painted over them, as would more likely be the case. Then, I see what I came to look for:

      On the “W” is a spot where once had been one of the mosaics. Not long ago, it used to look like this (links to Invader’s own page.) Here’s a picture of the artist actually affixing the thing. But now it’s gone. It’s difficult, of course, to tell whether it was stolen by thieves or removed by cleaning personnel. Either way, it’s gone.

      I check the rest of the letters. The motion sensors continue their mad beeping. The cameras monitor in silence. Nothing. Zilch. Nada. Only a series of vacant, humble footprints where the invaders had once been, like those patterns that space craft make when they land in your back yard. How utterly annoying.

      I snap a few more pictures and look down at the cloud-enveloped city. An unbelievably gorgeous day. I want to hang out, to enjoy the view, but I suppose I’m done. So I head back down.

      Nifty links:

      Flickr Gallery containing ALL the pics from the hike.

      Recent eBay auction that offered much of the original sign for sale.

      A photo series on the artist’s site chronicling the first tag of the sign.

      The page at sixspace for last July’s invader show.

      counterinvasion.com – my own site (largely dormant for now) detailing many of the local invaders.

      • keefe
      • Music

      Michael Keefe’s Top Ten of 2005!!

      While I’m still putzing around with my own year-end compilation, Portland bookslinger, sonic sage and jack-of-all-tunes , Michael Keefe, has scoured his vast knowledge of music-heavy 2005 and come up with his list of Top Ten Albums from the past year. Check ’em out.

      Yeah, I know, I know. You’d think he’d come up with a list greater than just Ten, huh? What with all the reviews he’s been writing all year? Oh, but wait. He has. If you want to explore past the Ten Barrier, check this out. This list goes all the way to a hundred (I agree with his #1 choice, but his #73 and #77 should have been a LOT higher…)

      Cheers, Michael! Thanks for the good words all year long. Here’s to a groovy 2006!

      And stay tuned for my own Year In Music. Because I re-FUSE to be left out.

      • Hollywoodland

      Bubblegum Alley

      I’m spending a couple days in San Luis Obispo before returning to LA for Christmastime pandemonium at work. On a walk downtown this morning, I finally got a chance to take some pics of the wonderful walls of Bubblegum Alley.

      Enjoy. And for more pics (not to mention larger ones) I posted a mini-set over at Flickr.



      • Hollywoodland

      Rohypnotism (replay)

      I talk to Maryann today. I haven’t seen her for a couple days. She’s been out sick, and as always, I wrestle down the urge to call her and bug her and find out what’s wrong. This time, she says, things were a little out of the ordinary. What she tells me has me staring in astonishment.

      She went to see (co-worker JIM EVANS’ band) HELEN STELLAR at The Viper Room on Monday. The next morning she wakes completely dehydrated. Every muscle in her body is sore, as if she’s been wrung out like a sponge. Cynthia asks if she’s feeling okay. Yeah, shrugs Maryann. More or less. Why?

      Cynthia proceeds to tell her what happened the night before.

      Helen Stellar has just taken the stage. Maryann holds her first drink of the evening. The song ends. Maryann puts her drink on the floor by her feet just long enough to clap. She picks it up again. And drinks.

      Flash forward an hour or so. Maryann isn’t breathing. She can’t catch her breath. Agitated as hell, Cynthia wants to take her to the hospital. Maryann refuses. With vehemence.

      That moment of breathlessness is the only thing Maryann remembers from the entire evening.

      To Cynthia, and later to Jim, who hangs out with them after Helen Stellar has finished their set, Maryann is drunk. She’s swaying. She keeps hitting the walls. She bumps into people. Jim suggests that maybe she shouldn’t drink anymore. But as far as Cynthia knows, she’s only had one drink. Cynthia tells Maryann it’s time to go home. Maryann grows upset. She insists that Jim told her to wait for him to come back before they take off. Cynthia knows nothing of this. She goes off to find Jim, who’s now off somewhere. When she comes back, Maryann’s gone. She manages to find her, but now, somehow, Security is involved. While Cynthia is off looking for Jim, Maryann had yelled at a bartender. Then she had either taken a swing at or actually struck a bouncer. Tiny, delicate, kind-hearted, soft-spoken Maryann. It’s dawning on Cynthia that something is very wrong.

      Maryann is outide now. She runs onto Sunset into traffic. Cynthia grabs her. Maryann spins and tries to hit Cynthia, yelling at her to let go. Maryann doesn’t recognize her. This becomes dangerous, becuase she’s got to convince people that the crazed girl she’s trying to get into the car is someone she not only knows, but trusts. Incredibly, she pulls it off.

      The drive home is harrowing. Cynthia’s behind the wheel without a license. If they’re pulled over, Cynthia’s in terrible trouble. But Cynthia has to drive with one hand on Maryann’s seatbelt because Maryann keeps trying to open the door and get out of the moving car. Maryann says all kinds of horrible things to Cynthia. At one point she throws her keys at her. The keys may or may not have sailed out the window. I don’t think they’ve found them yet.

      Somehow, Cynthia manages a miracle. She gets Maryann home and now it’s morning and Maryann’s listening in shock to Cynthia tell her the tale. How is it possible she could do thses things that are so antithetical, so contrary to her nature, and not remember any of it?

      What the hell happened?

      After doing a little poking about on the web, this is what I manage to conclude: she set her drink down for fifteen seconds.

      From drugstory.org:

      Under Rohypnol, individuals may experience a slowing of psychomotor performance, muscle relaxation, decreased blood pressure, sleepiness, and/or amnesia. Some of the adverse side effects associated with the drug�s use are drowsiness, headaches, memory impairment, dizziness, nightmares, confusion, and tremors. Although classified as a depressant, Rohypnol can induce aggression and/or excitability.

      It’s a pretty fucked up world we live in, folks. Keep your eyes open.

      (see also: rohypnotism)

      • Hollywoodland

      Cute Overload

      Oh, man. Cute overload, indeed.

      • Music

      LA RECORD: Giant Drag

      LA Record is a magazine. No, no,it’s not a magazine, it’s a poster. It’s a magazine! It’s a poster!

      It’s a magazine AND it’s a poster.

      On one side is the cover art. On the other side, the content. I love their “covers,” each edition taking a local band and re-casting them in the image of a famous album cover. The most recent really caught my eye, not only because I love GIANT DRAG, but because it pulls off a fantastic mimicry of a great album cover (photo by DAN MONICK and art by SARAH TILLMAN and ERIK BRUNETTI.)

      Check out other issues of LA RECORD at their site (click the “back” button to page through the issues) or visit their MySpace flat to see them at a glance (and hear a tune by GD.) And if you like…

      Giant Drag: Kevin Is Gay (mp3 5meg 224kps)

      • Hollywoodland

      Blackout

      Seems my web provider failed me for the first time in over a year. I try checking email at work and I get de-NIED. Then I check my eBay auction and all my pics and cool styling are gone. So I check here. Gone.

      But now we’re all back. According to my stats, I had no visitors between 5:30 and 11:30. That’s six hours you were all deprived of my sunny, laid back okey-dokeyness.

      Hope you’re alright.

      • keefe
      • Music

      Music Reviews by Michael Keefe

      It’s that time of month again. Music guru, tunesmith and keyboard tapper, Michael Keefe, has whipped up a new collection of music reviews for your edification. Among them are some tasty reviews of new albums from ex-Libertine Pete Doherty and Kate Bush, as well as a steel-edged carving up of the new dance thing from Madonna.

      Link

        Richard Pryor R.I.P.

        Man he was good. I’m going to miss him.